Ingmar Bergman’s “The Autumn Sonata” has been adapted to a play by eliminating two characters of it and assigning their dialogues to the two remaining actors within two and a half month of practice. Décor, stage equipment, light and the minimal variation in emotions and acting are the main features of this play. In this play, dressed in practice costume, two actors go through the general act of the work with the slightest dynamic and sensual variation.